When we were working on “Tracing the Decay of Fiction,” we used to call her the “compression queen” because no one was better than Priscilla at retaining the visual quality in compressions. And later, when we were working on Three Winters in the Sun, we realized her organizational skills as a production manager were equally dazzling. But, as a doctoral student completing her dissertation and degree, she was more focused then on theory. But now, with a tenured position in media studies at the University of Oregon, she’s ready to get back to multimedia.
